History of Chinese Musical Instruments (excerpts from CCTV9 documentary) Part I

As a Chinese studies enthusiast, I also do appreciate Chinese music whether it be classical or contemporary. I also wish that someday I’ll be able to learn how to play a Chinese musical instrument. With regards to Chinese contemporary music I like the music of Wang Lee Hom, and Jay Chou (Zhou Jie Lun). I also know the 12 girls band, who plays the Chinese classical instruments and integrates them to modern music. I also recommend the movie, Love in Disguise starring Wang Lee Hom and Liu Yi Fei, while it is mainly a love story, it also shows the importance of the Chinese classical music.

This blog post of mine is about the history of Chinese musical instruments, and their importance to the Chinese people, and their integral part in the culture of the Chinese. Furthermore, I hope that you will also be able to appreciate the beauty of the Chinese musical instruments. Below is my transcription (I edited some parts but they still convey the same thoughts from the narrator or speaker) taken from the documentary presented by the CCTV 9, shown in YouTube channel. I did this mainly for educational purposes, and I do not intend to abuse the copyright, or plagiarized someone’s work. The host of the New Frontiers International is Mr. Ji Xiaojun and is narrated by Su Yang.

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History of Chinese Musical Instruments

Ancient Chinese regarded music as holy and pure and believes that it purifies one’s thinking.

The harmonious combination of musical sounds was made by instruments that fell into 8 categories

 Namely metal, stone, clay, wood, bamboo, string, gourd, and leather. The sounds that the instruments produce gave expressions to the soul of Chinese people.

There is a traditional music revival in China. Maybe one reason is that the old Chinese instruments look quaint to foreigners. Musicians in ancient China use musical instruments that were quite different from now.Many musical instruments are excavated as far  dates back as the Neolithic age.

One instrument is called Xun. You make it by shaping the clay and you baking it. A Xun has at most six holes on it. That was the best Xun the ancient Chinese had. They have 10 holes now, Xun.The sound is melancholy sad, still a Xun creates a unique artistic feeling.They produce sounds of clay. They produce inspiring sounds that no instruments can produce.

Liu Kuanren, President China Xun Culture Society says that, “Tough conditions in primitive society people have to compete for survival. They express emotions in many variety of ways. First form was singing. Then they use clay, vines, bamboo and stones. These gave rise to musical instruments. People who are still living in a tribal society uses musical instruments that are ancient and stretches back to the Neolithic age (primitive).”

Another instrument is the whistle,  this bone whistle is regarded as a musical instrument but in ancient time must be used as a  communication between hunters. Next is, Pottery bell, when they sway bells produce a sound that is clear and pleasant to the ear. While, Drums have bodies made of pottery covered with animal skin. All of these are ancient musical instruments of China. Another is chime stones,  it is also a Chinese musical instruments but  originated from a simple farm tool. The chimes resembles ancient stone plough and hoes, was actually designed for a stick. The round whole by which a chime stone is hung 

According to Ying Youqin, President of China’s Museum of Oriental Musical Instruments, “When chime stones were fiund to be able to produce pleasant sound they gradually became musical instruments. The ancient musical instruments has five notes are Gong, Shang, Jue , Zhi, and Yu.”

They are the equivalent of the do, re, mi, in Western music.

According to Qian Jianzhong, former director of the music institute of China Art Academy. “The Chinese mainly use five of the notes partly because they used five elements to explain the origin of the world. Metal, wood, water, fire and earth or east west north south and middle.  So the Chinese have five notes. Generally speaking we mainly use five of the seven notes. That’s a rule. Two of the notes are secondary and the other five are primary.”

This rule is in line with the traditional, intellectual and cultural aspirations of Chinese people with gentleness and tranquillity. Because of the use of these five notes the Chinese traditional musical instruments were able to produce elegant music without drastic rises of falls and pitch.

The earliest musical instruments were quite rudimentary. By the time of Zhou dynasty as many as 70 different instruments were commonly played. 8^th century bc, the golden age. Confucius himself would later say that playing an instrument was an important indicator of once moral standard. Many did not know that Confucius was a musician.

Overtime the number of musical instruments increased and they produce more objective sounds.

In the 8^th Century, Spring, and Autumn, and the Warring state war period. Musical instruments developed rapidly in this period. According to Wang Peng, Qin Manufacturer. “At first the Qin had five strings. Shun a legendary sage monarch enjoyed making five-stringed plucked instruments based on the notion of the 5 elements, metal, wood, water, fire and earth. Later when King Wu of Zhou attacked King Zhou of Shang he added the E string to the instrument to boost the morale of his troops. When King Wen of Zhou added a string in commemoration of his son, the Qin gained its seventh string.”

As time passed the shape of the Qin instrument becomes more complex. The Qin can take many shapes to accommodate its sound and rationality. For example there are Qins shaped like a banana leaf. Sunset cloud-shaped Qins were produced on the basis of imagined clouds. 

The Qin is one of China’s most important instruments. One of the requirements in playing the Qin was to have good manners. In ancient China, Qin’s were reserved for scholars before playing the Qin the musician was required to take a bow,  and in playing the instrument the player was to remain solemn and quiet. The Qin is meant to rid those who play it of evil thoughts and help them cultivate the mind and develop character.

The ancient city of Wuhan. Has a story about Yu Buoya he was an official who lived in the State of Jin during the Spring and Autumn period. He was superb at playing the Qin. Music brought him and a woodcutter named Zhong Ziqi together. The two are very best friends.When Yu’s friend died it was told that he broke his Qin and never played again.

In May 1978 excavation in Hubei province was undertaken. The tomb’s occupant was a 5^th century king,Zeng Hou Yi. A set of chime bells was discovered. The 65 chime bells weigh 5 tons. The sounds of the chime bells allow us to appreciate the sound of the ancient past. 

According to Feng Guangsheng, VP Hubei Art Vocational Institute.” The bells unearther in Zeng Hou Yi’s tomb produced transparent sounds like drops of water, and the sounds lingered, amazing all of us present. It was wonderful. Theoretically, the bells can produce monophonic or polyphonic sounds (simple or several sounds).”

The chime bells were designed to demonstrate the grandeur of the palace. The bells produce a very wide range of sound. They cover five octaves. The bass bells produced a soul-stirring sound.  This chime bells also proved that the ancient Chinese can produce high quality bronze. They were manufactured by 3 metals, bronze, tin and lead. Mixed in a proper ration. According to Chen Zhongxing, a research fellow, the proportion of tin, lead and bronze in the composition of bells was strictly calculated. So the bells have the best possible pitch tone and color.

Chime bells were not the only instruments found in Zeng’s tomb. There were also chimes made of stones, a giant drum, and more musical instruments, pan pipes as well as bamboo flutes. The chamber also contains sacrificial vessels, and an array of table ware. Laid on, as if a banquet was about to take place. This was in fact the king’s music center. We gain an idea of how ancient Chinese music was performed. There were also lighter instruments found. There are over 128 musical instruments in Zeng Ho Yi’s tomb. It is believed there are at least 41 musicians needed to play all these instruments. It is apparent that Zeng Ho Yi was also a skilled musician himself.

The finest are the chime bells among all the musical instruments in Zeng Ho Yi’s tomb. They were predominant in the music of China.

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Source: New Frontiers International documentary CCTV 9.